Flesh Mannequins: Totally Uncut

By: Flavius Ferrari
In-House Review - Apr 17 2012

Sebastian is a normal guy. He spends most of his days watching home videos of himself as a younger lad fucking a blow up doll, fapping to disturbing videos and trolling the streets for the chance to film an accident scene, you know the usual. When he's not busy with work stuff, he generally wanders to an imaginary sex dungeon where he can catch human mannequins fucking and sucking. A voyeur, he often lingers outside the window of his lovely neighbor's home, much to the amusement of the family that dwells within. But when the sexy Irena A. Hoffman takes a shine to him, and his strange line of work, things take an even darker turn, leading them both down a path of madness.

While it may be hard to follow, let's be honest, you haven't come here for story and intrigue. You're here for the macabre sexual images this film has to offer and boy are there plenty. The real meat of this story takes place in the darkened caverns of Sebastian's mind. Here we find tame gems such as a masked woman giving graphic head to a masked man, a woman sucking off a corpse with a rotting face and an ejaculating clown.

This movie is fucking disturbing, plain and simple. However, it's also a love story. Yes, that's right. Even the sickest fuck with a fetish for videotaping graphic murders can find a sweet young Sarah of their own. Dream my friend, dream.

By: Jodie Bishop

The snail's pace at which this film moves makes any involvement with it on the viewer's part next to impossible, in my opinion. And if you're going to include explicit nudity, why then make it difficult to discern with blurry cinematography and murky lighting as a substitute for real mood? Sorry, but I confess myself disappointed.

By: Oliver Renner

It's been the talk of all Cult films lovers and Artsploitation's fans, for over a year or so,thanks also to a very controversial Film Festivals run,that made many walked out of the screenings horrified (for real,i mean!) and just made others love this film, like crazy, almost to make it become like a new sign of a certain re-birth of the greater italian and Euro exploitation/Genre's Cinema of the glorious 1960's/1970's.
I just loved this film, despite its (few) flaws,AND I agree with whomever Awarded it and his incredible lead actor!
I cannot hide to be a fan of that type of Films, especially of the Euro's from 30/40 years ago: they had all just a different class,and artistry back then, and they were exceptionally 'visionary' and 'inventive'. People like Argento(in his first films),Fulci,Lenzi,Martino really knew how to mix mystery and pulp,sex and decadence with a narration rich of glamorous touches,like sophisticated angles,artsy cinematography,editing and soundtracks! And, they say they were actually at times using odd angles and moody cinematography to hide a low budget! If, that was truly the intent, then they were really all geniuses,because whether many directors today(like Tarantino,and Roth) love to admit it or not (a bunch of others,including Ridley Scott and many hip younger ones),they all have studied those films from top to bottom, in order to develop their most actual styles. In fact those flicks were completely ahead of their Time, and not just because of the very often lurid content,wild storytelling and nudity, but because of how they were filmed and suggestively presented. They marked an unforgettable time!
I do hope HOFM(House of Flesh Mannequins) is really just a sign that, at least,back there in Italy, people are finally returning to make those films, because i love them, and i think there's a huge market for them, since i know tons of people,practically 'obsessed' with them!
Cristopharo's film has all the elements of the movies of that Time, and even.. more,if you can believe that! Besides having an incredibly unique art direction and costumes, make up and intense photography, its story never fails to surprise, to shock, to emotionally 'test' its audience! It's like a game: well, if you have taken in all this.. I'm almost sure you'll be able and ready now to watch some other atrocity! And let me tell you: i never saw something like this before, maybe also because back 30 years ago, it would have been impossible to film certain sequences,this feature instead showcases so fearlessly: you gotta give them credit to at least have had the guts to dare that much, to explore what's been truly never presented before(at least to my knowledge!). There are a bunch of real life S/M fetishists and body modifier's performers, themselves for real in this movie, and there are people also eating glass and swords, cutting their genitals and so on.. Furthermore a few porn actors were hired to contribute a few real sex,however artistically filmed scenes.
Very disturbing! Very 'trippy',and also not for everyone.It's true!
But, if you have got the guts to stomach some of these extremely brutal moments, then you may just follow the movie, which will take you,surprise after surprise,to a walk inside the sick mind of a child who's never really grown up, since he had been terribly abused: this path will be quite an experience, let me tell you, but i can also advice to all of those reading this: it is so worth any of your time and of having to witness, what you'll see here!
This movie manages to create beautiful, unforgettable images, and to become at some point highly lyrical,and truly inspired. It is like a look at the "interiors" of someone abused and abandoned to his frightening life, and it feels so real and emotional, like nothing else you'd be able to see in some of these other flicks available on here! Let's be honest: i love the RAW section of TLA, and I'm a greedy fan, but this movie in particular is something else,
Yes, it may have some plot holes, some other moments that stretch credibility,or will make it hard for you to follow it, but this is also the most significative, unique, stylish film included in this catalogue! And it's truly brave, as they say!
I would have never expected it would take me to Hell and back like it truly did, and I am amazed of how much it still haunts me, and impressed me. We're definitely at another level here.
Much higher quality of filmmaking, almost hyperrealistic tones, like not even Jodorowsky, at times,could reach, and a natural,constant, strenuous emotional strength that could surprise even the most skeptical!
Cristopharo is certainly, after this film, a new personality in international cinema, and i can only hope he'll be able to maintain just these high levels of narration and visionary expression, since, he's able to make work wildly and astonishingly well,even some of the oddest material ever filmed, and some parts of his own script,not always so clear, being that,maybe,the only flaw i could point out, at this time!
The film benefits also, besides,of a brave director and,of an obviously extremely talented and dedicated crew,of an exceptional actor.
Domiziano Arcangeli plays this role as it lays, with so much emotional transfer and so much naked intensity, that it is not difficult to imagine that his private life must have not been that easy, either! Unless he's the best actor of these times, someone must know certain ugly places himself, to be able to so perfectly and realistically reproducing all the sadness, fear,anger, and ultimately the shock, that a human being can be possibly able to stand: he's not only effective,and haunting, he's also an unforgettable presence here, and I just hope they'll use him in better films from now on, than the ones he's been recently seen in!
Then there's the beauty and ambiguity of Irena A. Hoffman so gorgeous, so sexy, and burning, to create a phenomenal 'antagonist' to Arcangeli!
And what a young woman! Wow! She is gotta be some of the hottest actress around: i hope to see her too, in better films,and,most of all, more often!
She plays the new neighbor who starts spying the lead Sebastian, like she's just only bored with her grim life ( a blind father, who's often , played with darkness,by italian star Giovanni Lombardo Radice,and a cocky boyfriend, who looks like a model and behaves like a douche bag).
But she will bring several twists to the very narration of the film, becoming a sort of Femme Fatale...
The rest of the principle cast is decent, but not even nearly close,to the level of Arcangeli and Hoffman.
Then there's the circus of freaks and geniuses, and let me tell you, some of the most beautiful women, I've ever saw, unfortunately,at times, just briefly, and a few guys who could be just coming out of an asylum or of a crack house.
But, they all work so greatly in giving to this film just the right amount of credibility to let you dance with the darkest place in the sickest mind, and make you believe you are not even watching a movie anymore, and when it's over you may wake up in the middle of the night, as i did, thinking i was not even dreaming anymore, since the tragic message of this cruel story may break your heart, after all!
Yes believe it or not, this movie manages to break your heart as well!
A must see! Truly!
PS: By the way, Why is this not included in the TLA nominees for Cult Award? Dear TLA, this movie should win! I hope it's because it just opened and I wish to see it on top of the nominees, at next Year Awards Ceremony!
This is just not a pledge, this is frankly one of the best movies you're selling in this category, and certainly the bravest and most unique!
Thank you!

By: Joshua Stromberg

I actually disagree with the review given by TLA, I found this movie even more disturbing, because I got so passionate about the love story and the real incredible rich visuals!
This movie is like always on the edge of a fantastic Cult Art Film, and the Most Shocking of the Experiences! You won't see anything like it anywhere else! For those who can appreciate a highly unsettling plot, acted also by modifiers body performers and extreme S/M Fetishists cutting,piercing, ravaging themselves for real, and gorgeous porn stars as a supporting cast, there's also a clever story with a surprising twist at the end that will leave you, as it left me, completely floored!
Between an Euro Giallo from the 1970's, an Art Film of the highest rank, and some scenes that only if you're strong emotionally and mentally, you'll be able to accept and place in order as one of the main figurative key elements proposed by this not common avant guarde Director, It finally opens uncut and unrated what's been banned for 2 years, from the Theaters, while actually achieving a very successful Awards Winning, Film Festivals run, which made of this one of the most controversial, yet notable films, of the past decade!
Domiziano Arcangeli is stunning in delivering a sick,yet poetic performance, layered by a progression nobody would expect! And Irena A. Hoffman is radiant, sexy, ambiguous as the new tenant suspiciosly moving in into the crumbling building, whose mysterious and enigmatic land lord is Sebastian. She is provoking, gorgeous to look at and she is taking care of a blind father(cult actor Giovanni Lombardo Radice) who seems psychic and maybe as disturbed as poor Sebastian! One Advice: If you wanna fully enjoy this piece of great filmmaking, just leave morality out of the door, bump your seats, and Go.. for a truly bumpy ride, who won't ever let you down!

By: Amos Lassen

If you like explicit sexual nature, torture and gore then this is most definitely a movie for you. I took it as both homage to and satire on the horror films of the 70's. In it are porn stars and actors working side by side with body art performers. The movie also pokes fun at the gratuitous violence that we see on TV and in the movies.
Sebastian is a loner and an artist, a photographer and filmmaker but his life is not much of anything these days. He spends his time watching amateur films and photographing violence. He was abused as a child and we see the results of that. He is now superintendent of the apartment building that he lives in and things change for him when a tenant, Sarah Roeg, takes an interest in him and his work. Sebastian spends time in an imaginary sex dungeon where he can see human mannequins involved in all kinds if sex. He is also a voyeur but that stops when Sarah begins to be friendly. He takes Sarah with him down to madness.
This is a twisted movie about sexual perversions and is not always comfortable to watch. I have heard the movie being referred to as pornographic, sloe, funny (because the acting is so bad) and graphic. The scenes of body and sex are real. It is hard to decide if the actor playing Sebastian is really a bad actor or whether he is acting. The film is most definitely over the top and in your face.
There is a lot of sex and a lot of full frontal male nudity (I knew that would get your attention) and while the sex is straight, we do get some interesting looks at the male sexual anatomy.